|
Bev Rice is one designer who
not only models what she sells, but delights in the pleasure
others have in purchasing her sporty art. She and her husband
Jim started a home business called "Sport in Life"
ten years ago with one imperfect mah-jongg set originally bought
as a present for a friend. In the past five years "Sport
in Life" has evolved from marketing craft-fair products
to bona fide antique buttons sold at more expensive retail-quality
level. With mostly word-of-mouth advertising, their jewelry has
captured creative awards, been featured in the Image section
of her local Sunday newspaper, displayed for sale in clothing
and curio boutiques, and sold at jewelry parties.
GETTING STARTED AND BUSINESS
SAVVY
Like most business entrepreneurs,
Bev started out "needing to make a living," and she
wanted to combine her love of going to flea markets with creative,
artistic urges.
She also had a curiosity about
the ability to manufacture interesting game pieces. While she
comes up with her signature creations, Jim perfects ever-sturdier
ways of fastening pieces together and drills holes in the mah-jongg
tiles for Bev to thread with elastic to make bracelets or neck
amulets. She took her first product, a "rigger" domino
with a tell-tale crack, to her husband, who polished the domino
to sheen and bolted it to a pin back.
Earrings and pins can be made
without drilling, however. Just purchase an inexpensive glue
gun from the neighborhood hardware store, or sturdy "glue
dot" stickers, as well as earring and pin backs, available
wholesale. "What's more, anyone can do this," says
Bev.
INVESTMENT. Bev estimates start-up
costs can be less than $500 because of "miracles and mitzvahs."
Don't underestimate the value of trading services or receiving
supplies when starting out. "People were inspired to gift
us," she says. An artist friend created a simple but effective
domino logo, and another friend who was teaching a printing class
made up 500 business cards as a gift. While Bev did read a couple
of start-up books, such as Working From Home, and Small-Time
Operator, (similar books can be obtained from the library) she
advocates getting a business license from City Hall (if your
area requires one) and an invoice book from a stationery store.
Then just start-up.
The jewelry maker recommends
that once you are in business, get a sales tax resale number
from your state's taxation bureau to make quantity purchases
at jewelry supply stores giving wholesale discounts. You will
also be able to legitimately write off business expenses at tax
time. Initially, Bev spent $100 per month on supplies. That included
game pieces, pin and earring backs, and glue. She notes that
"the most interesting pieces can be found at thrift stores,
flea markets, and garage sales."
BUYING SUPPLIES. Finding supplies
can be time-consuming at first, says Bev, but all supplies can
be bought in one's own neighborhood or ordered from supply catalogs.
Her inventory is now built up, but when she first started out
she went to stores three or four times a day to be the first
person there and check on items arriving during the day. With
vigilance and luck, "finds" can be snapped up as they
get put on the shelves. Also, friends who peddle their wares
at flea markets might bring her a mah-jongg set because they
know exactly the kinds of things she uses.
While Bev's first mah-jongg
tiles cost 50 cents, and were sold loose in a plastic bag, now
sets might run $300 in a big city where the game is popular.
To record money earned and money
spent, and to keep track of what pieces are on consignment or
out for a jewelry party, Bev recommends keeping an inventory
sales book.
FULL OR PART-TIME SALES
The person who wants to make
jewelry and sell their wearable art can make a part-time or full-time
living at it. Bev Rice reports that generating $10,000 per year
part-time is possible, while she estimates $30,000 to $40,000
could be made full-time, depending on effort and expertise. The
qualities of integrity, flexibility and enthusiasm are personal
attributes that will make for better business, but being an artist
is not a requirement. In fact, bev remarks that a little business
sense can really make or break profits. "I think I would
succeed better as less of an artist," she muses, "and
more of a businessman."
Anyone who wants to get into
this business has an intuitive sense that they can put pieces
together uniquely. Or talents can be combined with a partner's
help. Fortunately, Bev has a husband with a natural inclination
to use a drill press, which can be purchased for under $100.
Meanwhile Bev says she has become a pro with a glue gun. Both
are able to fill order for a variety of styles quickly.
BUILDING A NICHE. The designer
has built a niche for herself by making pins out of the buttons
and old mah-jongg betting sticks she loves. She enjoys making
pins because "they are pieces I can do myself-drill holes,
find buttons, and put them together." Bev relates that while
she did not enjoy working for other people, she loves her current
work, loves the jewelry pieces, and says that it has given her
a personal sense of identity. "It is gratifying to build
a business from a broken set of dominoes. Anybody can do it who
has a set of buttons."
Most people have "secret
stashes" of buttons, according to Bev, and should be encouraged
to be creative.
She recalls that her mother
had a beautiful set of buttons and her grandmother had lovely
pieces of mah-jongg set. And jewelry making "is a nice way
to keep those collections alive." But if one is not ready
to part with treasures, then items can be purchased at flea markets.
Buttons of quality range form a penny to $8 or $10. The old glass
and semi-precious stone buttons can be considered a study in
texture from a jeweler's point of view. But ordinary plastic
buttons, which comes in all shapes and sizes, make perfectly
creative and whimsical materials, too.
WHAT TO CHARGE. Jewelry prices
depend on time, materials, and what the market will bear. Simple
Scrabble pins make great holiday stocking stuffers or children's
birthday party favors and sell for $1.50. Antique button pins
that look wonderful on a blazer lapel can start at $25 and well-made
button bracelets can retail for between $25 and $50, depending
on quality. Domino earrings and pins can run from $16 to $26.
Vintage collectible mah-jongg and bamboo bracelets may wholesale
from $88 to $250.
JEWELRY PARTIES. Although there
is a variety of ways to sell jewelry, from craft fairs and festivals,
at gift and clothing boutiques, on consignment or by personal
referrals, the best methods really depend on individual preferences.
There are benefits and pitfalls to each. For those starting out,
Bev highly recommends holding jewelry parties as a fun, tried-and-true
way to sell. Better yet, ask friends to hold them at their homes,
serve a little something to eat and drink, and invite a group
of about six to twelve people. In her experience, earnings of
approximately $300 to $400 can be made from a home jewelry party.
NETWORKING. Another method is
to network with a friend to find trustworthy places that will
take a chance on your work. This includes consignment at clothing
or gift boutiques and possibly museums or art gallery gift stores,
where a percentage of the profits are kept by the store upon
sale.
"Most rewarding,"
says Bev, "is when stores buy outright, because it keeps
your cash flow going." She has refined her product line
to where she can market it almost exclusively at the high-end
retail level. But Bev avoids the large chain stores because,
she says, "it can be heaven or hell." Mostly it takes
a long time to get paid and a big store buyers can cancel on
a
whim an order that has been rushed into production.
CRAFT FAIRS. Craft fair profits
are tied into the costs of entry fees, booth space rental, and
transportation to the fair. Some fairs require the artist to
be present to sell their work. Depending on regulations, this
can pose problems for the jewelry maker who has hired a sales
representative. Sales generally depend on the ability of the
individual seller and the quality of the neighborhood crafts
to help draw customers. Sometimes a percentage of sales goes
for a worthy fundraiser. Also, many artists really enjoy displaying
their wares in a festival atmosphere where they get a chance
to meet and learn from each other.
FESTIVALS. "Game pieces
make people smile," says Bev, "and are made to be touched."
Unique designs, together with the touchables and playful qualities
of the jewelry, are the strongest selling points at festivals
and craft fairs. Although she now shies away from what she terms
"the stress and the rat race," a small show may only
charge a $50 entry fee and net profit of $200 out of $400 gross
sales is possible. "People like a chance to meet the artist,"
says Bev, which can help sales. For the person trying to get
established, she notes that this venue - the chance to talk to
other artists, trade, and barter back and forth - can be more
lucrative than dollars and cents.
FASHION SHOWS. Bev is occasionally
invited to display her jewelry as part of vintage fashion shows
where a friend is already selling and the artists dress up in
appropriate period custumes. Or she might do a weekend show where
she is given space to set up in a clothing boutique where a sale
has been advertised. The store often sends out postcards notifying
customers of the sale and perhaps a flyer noting an artist appearance.
Bev says that she enjoys these, but points out that the store
claims 30 percent of her sales. Also, selling all weekend can
be very demanding.
PERSONAL REFERRALS. Since Bev
has been in business ten years and knows her market, she understands
how her pieces sell best, and certainly what is cost-effective
for her business. Personal referrals now account for 30 to 50
percent of Sport in Life sales, and 30 percent in repeat business.
Someone starting out may need to try all avenues to see what
kind of customers are attracted to a particular jewelry style.
Besides word-of-mouth referrals by friends, and boosting sales
by wearing the jewelry, a jewelry representative can bring up
the bottom line of profit. Bev estimates that referrals from
a rep who worked for her several years ago added another 10 percent
to sales. "If you can find one who likes you and you like
them - they can be a buffer zone between you and the public,"
says Bev. "That individual becomes the Mary Kay of jewelry."
Because Bev now handles the
business herself, she advises taking it "one step at a time."
She would like to teach people to gain self-esteem from their
work and says she feels it is important for people not to underprice
or undersell themselves. "Otherwise," she says, "they
could just go get a job!" Because people are always buying.
Bev remarks that the business is becoming more competitive. But
she sees this as a good sign, one that breeds well-made designs,
those made using good, non-toxic glues which are made to last.
But don't be afraid to develop a niche, since every bracelet
and necklace will be different by virtue of the material. "This
is fun," enthuse Bev. "Buttons are really unusual and
unique, and it feels good to make these things."
For example, just four stacked
buttons can make an interesting earring Bev explains. "I
was the kind of person who threw out earrings if they were broken
and didn't know how to fix things." She remarks that making
jewelry is wonderfully therapeutic and can be a way to teach
children creativity by stringing elastic through buttons as a
birthday party game.
In addition to belts, her new
product includes a few glitzy patent leather handbags also festooned
with buttons. A bag might retail for $50 to $125, according to
the buying market. A developing product line is as individual
as the person, and the artistic preferences will certainly add
distinction. Bev states that she would like to inspire other
people to start feeling creative. But working with buttons is
not limited to women. Bev says she knows of one man who "makes
fantastic bolo ties out of old buttons and belt buckles."
"Whatever the material, her best advice is, "Only do
it if it's fun: Sport in Life!" |